![]() ![]() When designing artwork for print it is important to remember that what the colours seen on your screen is not how the job will look when its printed. Our article Digital Printing Vs Litho Printing considers when either process may be preferred as a printing process.īut remember all the technological efforts are only as good as the those you are working with. The inking technologies and actual process can vary results slightly too. ![]() While most digital presses are calibrated with ease, Litho presses are calibrated before and during the set-up process called a ‘make ready’ and take longer. Print Paper types is discussed here along with Coated Paper Vs Uncoated Paper Colour Variation from Digital Printing & Litho PrintingĬolour variation will also occur depending on the press and technology used to during the printing process. You may also find it helpful to read two articles about paper to board to understand more. An article on proofing is available here. You can consider wet prooing a job prior to print which will enable an accurate reproduction. ![]() The opacity (brightness) of the sheet will also affect the colour. Colour Variation on Types of Paper & Boardĭifferent types of paper or board can also alter the colour, this is due to various ways paper is made, the way ink either sits on the surface or is absorbed by the sheet. If you intend to use fluorescent colours or others as mentioned above, it is best to discuss printing these as an additional special colour with a commercial printer or check a pantone guide so you know what the result will look like.Īdding a varnish to the ink can also alter the colour, as can be showing the in metallic pantone guide above. Pantone Solid & CMYK Orange showing colour variation between the two colour formats Metallic Pantone Guide which must be printed as spot colours Some colours match the spot equivalents better than others, but with some colours such are oranges or metallic colours there is a clear difference. Using the 4-colour printing process is a flexible means to replicating over 3,000 pantone colours in the range, however it has limitations to what can be printed. Manufacturers have spent millions improving technologies to minimise this, however there are still circumstances where colour variation does occur.Īn instance where colour variation is difficult to avoid – comparing a Pantone Colour to its CMYK equivalent produced using 4-colour process. One of the biggest problems with printing can be colour variation. Colour Variation with Spot Colours and CMYK Things can and do go wrong, so here is a quick guide to help you avoid the pitfalls of Pantone and CMYK reproduction. Like most technologies there are limitations to production methods, as they are not an exact science. Whether you’re a designer or a marketing professional you want your print to look perfect. Avoid the pitfalls of Pantone and CMYK reproduction | A quick guide. ![]()
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